Video Art Movies

Inspired by the “psychic and physical toxicity of life in late capitalism,” Evan Caminiti’s Toxic City Music utilizes sounds...

Training herself in acceptance through walking meditation, Sommer confronts urban and internal development, encountering tremendous barriers in the...

Produced at International Video Colony Ohrid, Macedonia 1989. Screened in retrospective at Alternative Film/Video Belgrade Festival 2014.

Video by Croatian artist Sanja Iveković, a performative stripping of personal identity by the interpolation of excerpts from public service TV...

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history,...

Light is the first bodily form pays homage to the philosopher of light, Robert Grosseteste. The title is intended to be somewhat tongue-in-cheek...

A short film that only uses photos and intertitles, this visual scenario depicts the sky as the sun sets. Picture yourself as the sunset leads into...

Formed in 1969, Videofreex was a pioneering collective of artists and community activists who embraced portable video technology in its earliest...

Now, in the era we live in, we are surrounded by a variety of ideas, and each of these ideas and thoughts is given to us in many ways. The Art and...

The funniest thing happened to me the other day...

This symbolic journey evokes the personal creative wandering of the Vasulkas. The landscape, shot from a car window while driving in the Santa Fe...

Walter Ungerer's A Warm Day Comes After A Cold Winter is among a series of experimental films the filmmaker created in the 90s that utilize computer...

An experimental re-edit of Jack Frost, starring Michael Keaton.

Repercussion is a political statement of existence through poetic counterpoint of images and sound.

In Silver, Murata subjects a snippet of footage from a vintage horror movie (Mario Bava's 1960 film 'Mask of Satan', featuring Barbara Steele)...

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic...

Manipulating a variety of sources, Vasulka uses creative imaging tools to situate historical images against Southwestern landscapes of incredible...

A quiet mediation on the sea (and what might lie beneath the surface?) from the late 70s.

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day...

Scientists vanishing and mutating to Zombies. A door to another dimension. A blind woman who keeps a secret. Mysterious surreal connections that...