Vito Acconci Movies

"Acconci caresses his torso, then crushes cockroaches into his stomach and rubs them into his skin." - Electronic Arts Intermix

Acconci lies naked on a gurney-like table, rocking back and forth as a tape-loop of his voice describes his anxieties about exposing his body and his...

Vito Acconci

"A long narrow corridor, leading to the camera—at one side, a window—sun streams in, splotches of light and dark, the corridor shimmers....

The artist, sitting naked, takes water from a pot into his mouth and gargles; he spits it out onto his stomach and groin, transferring the water from...

In this powerful "meta-document," Acconci sits in the dark with his back to a screen, onto which are projected slides of his past works, in...

"In another exploration of nonverbal communication, the camera moves back and forth, each time catching one of Acconci's hands in an expressive...

"In one of his earliest films, Acconci performs a series of actions — running in a circle, jumping, pushing another man — in which the...

Acconci's open mouth is framed by the camera in an extreme close-up, bringing the viewer uncomfortably close. A desperate sense of strained urgency...

A super-8mm work documenting Acconci's audio installation piece in the Sonnabend gallery in 1972 of the same name.

Using extreme close-ups and amplified sound to force the viewer into the space of his body, he experiments with his mouth as a container for saliva,...

A documentation of a live performance at New York University, Pryings is a graphic exploration of the physical and psychological dynamics of...

A woman kisses Acconci's body, covering him in red lipstick traces. Acconci then rubs his body against another man (Dennis Oppenheim), transferring...

Standing alone among beach dunes, Acconci begins to kick at the sand below him. Over the course of the film's ten minutes, this repeated action...

In the late 1960s, Vito Acconci abandoned poetry in order to work with the body and its relationship with space, although he did retain a commitment...

A super-8mm document (blown up to 16mm) of Acconci's performance of the same name in which he covered almost the entirety of the gallery space with a...

In Face of the Earth, Acconci's face becomes a metaphorical theater for a narrative drama of the mythic American landscape. Eyes closed, his face...

Vito Acconci chokes himself with a white cloth multiple times, his face turns red.

Super-8mm footage documenting the gallery set-up for Acconci's exhibition AIR-TIME at Sonnabend Gallery in 1973.

A five minute super-8mm short from Vito Acconci