Babette Mangolte Movies

  • 1980
    The Cold Eye (My Darling, Be Careful)

    The Cold Eye (My Darling, Be Careful)

    The Cold Eye (My Darling, Be Careful)

    01980HD

    A “narrative” film centered on young artists living in New York City around 1979. The film is about a certain stage in the development of...

    The Cold Eye (My Darling, Be Careful)
  • 1978
    Cinématon IV

    Cinématon IV

    Cinématon IV

    01978HD

    Reel 4 of Gérard Courant's on-going Cinematon series.

    Cinématon IV
  • 1993
    Four Pieces by Morris

    Four Pieces by Morris

    Four Pieces by Morris

    01993HD

    The film is a reconstitution of the seminal performance work done in the early Sixties by the sculptor Robert Morris.

    Four Pieces by Morris
  • 1977
    The Camera: Je or La Caméra: I

    The Camera: Je or La Caméra: I

    The Camera: Je or La Caméra: I

    01977HD

    A subjective account of the act of making still photographs.

    The Camera: Je or La Caméra: I
  • 1973
    Surprise Attack

    Surprise Attack

    Surprise Attack

    01973HD

    A pair of one person's hands toss a block of lead back and forth.

    Surprise Attack
  • 2020
    Calamity Jane & Delphine Seyrig: A Story

    Calamity Jane & Delphine Seyrig: A Story

    Calamity Jane & Delphine Seyrig: A Story

    02020HD

    Delphine Seyrig decided to work on a film project about Calamity Jane to reveal Jane’s sensibility and insight about life in those letters to...

    Calamity Jane & Delphine Seyrig: A Story
  • 1976
    (Now) or Maintenant Entre Parenthèses

    (Now) or Maintenant Entre Parenthèses

    (Now) or Maintenant Entre Parenthèses

    01976HD

    With Linda Patton and James Barth Silent, (24 frames per second) A linear succession of activities/manipulations of objects. Film = Now Projected...

    (Now) or Maintenant Entre Parenthèses
  • 2014
    Je, Nous, I or Eye, Us

    Je, Nous, I or Eye, Us

    Je, Nous, I or Eye, Us

    02014HD

    "The film Je, Nous, I or Eye, Us is a mini essay that replies to a question about subjectivity in the 1970s while I was making my film 'The Camera...

    Je, Nous, I or Eye, Us